We awake
not-so-early the next morning – Fia from a restless night spent
pondering the prospect of homelessness, Tom after a more agreeable
slumber filled with Penelope Cruz-inspired thoughts. Mmm, Penelope
Cruz.
Ahem.
Having missed breakfast, Tom heads down for a drink from the vending
machine and a verbal altercation with the hotel staff after the
dispenser swallows his money but fails to come up with the promised
goods. While he does so, Fia starts looking online for a phone number
for THE FLAT OF OUR DREAMS. Success, a man called Ray ('Daddy Ray'!?)
appears to own the flat and his number is listed. Positively ecstatic
at the prospect of bona fide verbal contact, she dials the number.
Daddy Ray
answers. They exchange pleasantries. Fia mentions Claire-Geoffrey.
Daddy Ray sounds confused. He doesn't have a daughter called Claire,
much less Claire-Geoffrey. Boulay? His surname isn't Boulay and never
has been. Then everything clicks together as he explains that he put
the apartment up for rent some time ago online and that someone has
taken the photos and is using them to attempt to scam innocent, moon
eyed young house-hunters like ourselves. He gets these sorts of phone
calls, emails and letters under the door all the time he says. No,
the apartment is no longer available for rent.
Oh bugger.
Tom
wanders back in, still feeling somewhat miffed over the loss of his
Evian, but equally pleased that his French was still good enough to
let that slag of a receptionist have it over the counter (make of
that what you will). Naively he sits down and waits for Fia to finish
her phone call to Ray, blissfully unaware that a Sicilian volcano is
about to erupt with fiery, molten ire within the small confines of
our room.
Cue a
lovely email to Claire-Geoffrey (on second thoughts, definitely just
Geoffrey now). Fia makes clear her surprise at Geoffrey's lack of
planning, offers some soundly-reasoned advice on how the business
could be improved and expresses her heartfelt desire that Geoffrey
'get AIDS and die', before signing off 'Best wishes, Sofia.' One
can't help but think Geoffrey might not take her message entirely to
heart, but it was cathartic nevertheless.
We sit
down for a few moments, not speaking. Then we try to look at the
positives. Geoffrey didn't get any money from us, nor photos and
personal details to clone our identities. Who are we kidding though,
coming to see THE FLAT OF OUR DREAMS was a major reason for our trip
and we cannot help but feel we've wasted our time and money.
After a
call to Fia's mother, who on loudspeaker plays a dulcet Vesuvius to
her daughter's Etna, we decide to start scouring FUSAC with pen,
phone and laptop at the ready until we find a place. A number of
potential leads come to nothing as they have already been taken or
want to find tenants who will stay longer than we. Finally we come
across an ad for a place in Chelles (to the east of Paris itself).
400 euros/month. Wow, not bad. A quick phone call and we have a
viewing for that very afternoon.
Now we
just have to get there. Train into Paris, train out again and we're
in the right town at least, after a minor incident at Gare de l'Est
where Fia gets stuck on the wrong side of the barrier without a
ticket. Now to find the place. We traipse off down the leafy
boulevards, most of them named for famous French people in true
pretentious Parisian style. It's all very pretty though. Yes, we
could definitely see ourselves living here, in a spacious stone villa
with shutters and an outdoor pool. We'll sip Chablis by the water's
edge in the blazing sun, recite poetry and debate the finer points of
fine dining. It'll all be so distinguished, so cultured.
We
find the road (sorry, the boulevard)
without trouble, but the house numbers confuse us a bit. Searching
for house 36, we pass 34 and 35, followed by a construction site, but
the houses from then on don't seem to be numbered properly. All the
buildings have high surrounding walls so you can't see in. Flummoxed,
we give the landlady a ring to confirm her location; she says she'll
come out to meet us. So we wait. We can almost taste the Chablis.
Then the gate in front of the building site opens.
Oh
dear.
Out
comes a little, middle-aged Frenchwoman. As she ushers us through,
the sound of drills does little to alleviate our concerns. We are
taken around the side of the building works to a small house at the
back; well at least the rooms aren't still to be completed. Oh but
they are. The first room is a poky converted living room without
enough space to swing the cat which has just followed us in (not that
you'd want to, she's adorable). No curtains, paint peeling, cupboard
doors looking like they want to fall off. Not promising. The second
room is still to be decorated, still to have the dining table removed
and still to have a corridor built in one half of it so that the
Korean girl living upstairs can access the only staircase in the
house. We briefly spot said girl, timid and wide-eyed, before she
legs it off back to her lair. We can't decide if she was just in a
rush or terrified of the demon landlady.
Actually,
that's unfair, the owner is lovely.
But
her house is still shit.
We
walk away, promising that we'll consider it carefully. Like hell we
will. Off we go to shelter from the heat and to grab a hideously
expensive drink in the restaurant opposite the station. Fia pays
because Tom cleverly forgot to bring his debit card (twat). As
penance, once back at Gare de l'Est he is once more forced to
participate in some retail therapy, this time far less tolerable as
Fia doesn't actually buy anything, instead just gazing at the shiny
stuff. At least Tom gets the fruit off her cake (no euphemism
intended) in the little eatery place attached to the station because,
according to Fia, fruit is gross. Still dejected, we stretch our legs
a bit and walk to Gare du Nord. The train back is roastingly,
blisteringly hot. Fortunately we are in a carriage that doesn't have
too many people in it.
Other
people have clearly observed this too and in race two black (this
isn't bigotry, the colour of their skin is pertinent) men, panting
for air. One pronounces loudly to the carriage 'C'est
du génocide là-bas,
ça tue les noirs.'
Stunned
silence. Race killings on a suburban Parisian train? A bit much to
believe perhaps, even if racism is purportedly rife amongst the
francilian police; shock and disbelief show on several faces. Turning
to us, the people closest to him, he explains 'la
chaleur, c'est trop.' After
hearing the accent in our reply, he elaborates in English, 'the sun
does not love black people.'
Phew,
no mass murder, just a spot of sunstroke.
Still
not sure if this guy is for real and not on drugs as he seems MENTAL,
we keep the conversation going. Not that he needs much help,
proclaiming loudly his love for Manchester United and carnivals in
London. Then his phone rings, he picks up and suddenly his voice
drops to a seductive purr as he murmurs 'Salut
mon bébé. Oui ma pouce, j'arrive.' The
other guy (his cousin) notes how he speaks more softly when he's
talking to his girlfriend and sex is on the cards.
After
offering us a few more thoughts on football, Manchester United and
the general decline of Paris, he spots a Brazilian man with a fold-up
fan sat nearby. He kneels down in front of the guy and begs that he
fan him a little lest he expire from the heat. In exchange for the
personal air con service he offers his wisdom on how Brazil should go
about winning the World Cup. You have to beat Germany, he says, beat
Germany and you win.
Suddenly
it's his stop and it's time to go. Off he and his cousin jump, then
he turns and alternately mimes and shouts for us to call him to meet
up some time. A look of realisation dawns on his face as he realises
he didn't give us his number. He briefly considers jumping back on to
give it to us, but clearly decides that his pouce would not want him
to be late for their appointment, and so with a shrug that says 'tant
pi, c'est la vie' he lopes off into the sunset.
We
get off a couple of stops later, still laughing, Tom struggling to
get a well-known collaboration between Jay-Z and Kanye out of his
head (in his defence, we are
in Paris). 'The sun does not love black people.' Honestly. Hurray for
multi-cultural France and humorous errors in translation.
We
still didn't have a house though.